Featuring photography, poetry, and performance, Diaspora Daughter / Diaspora Dyke is a zine that contends with intergenerational knowledge, personal histories, pleasure, loss, love, and the formation of identity through visual representation. Created with the generous support of Canada Council for the Arts, Manitoba Arts Council, and Broken Pencil Magazine. Diaspora Daughter / Diaspora DykeSeptember 202040…
تقبرني (Ta’burni), 2020 Photography/Digital Collage 24×36 تقبرني (Ta’burni) is a response to kafta, a recipe recorded from Hajjar’s mother. The recipe and image belong to an ongoing collection of works for Hajjar’s memoir cookbook in progress. Dedicated to the artist’s partner, تقبرني is an expression of queer poc love and sharing of culture. Held by…
Christina Hajjar and Noelle Sagher’s moodboards explore the overlaps of their interrelated cultures. Working as diasporic Arab millennial artists based in Winnipeg, Manitoba (Treaty 1 Territory and Homeland of the Métis Nation), they arrange adornments, cultural paraphernalia, and storied foods to create a third space of identity and belonging. This aesthetic ritual of home-making and self-portraiture…
In Ghanouj Christina Hajjar engages love languages of her diasporic arab femme identity. Situated at a coffee table, she uses roses, rose tea, and sweethearts through sculpture, consumption, and recitation. Curated by Noor Bhangu, Ghanouj was performed at Not the Camera, But the Filing Cabinet: Performative Body Archives in Contemporary Art, Gallery 1C03, where performance remants remained exhibited…
Warak Arish #1-20 is a performative work in progress since 2017. Following the celebration of Hajjar’s family’s celebration of living in Canada for 20 years, the artist will unravel a can of warak arish in a different site per year lived in Canada. This work is informed by questions on home, displacement, assimilation, and settler…
Published in Return Atacama (2019), Gesture Series, HemiPress, 2019. Monica Mercedes Martinez (poem) & Christina Hajjar (filming & editing), Winter Road, 2018, 34 sec, Atacama Desert, Chile.
Hajjar’s practice is invested in food and its biographical, geographic, intimate, and performative qualities. Salt Stain is a video installation around her processes with warak arish (stuffed grape leaves) that demonstrate her relationship with her mother’s body memory and with land, labour, and home. The two videos—shown simultaneously side-by-side at the corner of a room—involve…
preserve/decay is part of a working series where Hajjar learns and records her mother’s recipes, then performs a reflective process after each one. This process deepens her connection with a feminist praxis between the kitchen, her family’s stories, feminist scholars, and her body. Following her learning on baklava, she asked her mother for more knowledge…
Homesick is part of a working series of experimental performances in response to my experiences of Lebanese diaspora. This series involves cooking with my mother and recording her recipes since she does everything from body memory. With each food item that I learn I perform a reflective response to deepen my connection and engage…
CONSTELACIONES was a project-based collective for the performance project, Return Atacama, where the group traveled to Chile’s infamously storied Atacama Desert to return a large set of vibrant sculptural forms. The heavy ceramic forms, created by Monica Martinez, are woven from stratified layers of Chilean history and from diasporic and nomadic trajectories resulting from the 1973 coup. CONSTELACIONES…
