Group exhibition with Whess Harman, Mariana Muñoz Gomez, Florence Yee, Hagere Selam (shimby) Zegeye-Gebrehiwot
Curated by Christina Hajjar
School of Art Gallery, University of Manitoba
April 1 to May 14, 2021
To be living in a diaspora, away from the lands of our lineage creates a generative longing that is stubbornly, rightfully unquenchable. Instead of characterizing longing through the void, cause to become engages memory, imagination, and rumination as processes that generate alternative life paths, self-determined and with creative defiance. Through criticality and sentimentality, the aesthetic practices of queer diaspora “disorient and reorient us”—as scholar Gayatri Gopinath puts it—representing liminality and states of suspension as active, productive, disruptive sites.
To “cause to become” is to render. Being a queer, trans, or Two-Spirit Black, Indigenous, or person of colour in a hostile world necessitates art-making as a validating method of identity exploration, intimacy, and world-building. This group exhibition brings together works in various media ranging from Super 8 film and CMYK screen printing to typography, poetry, and embroidery. Artists Whess Harman, Mariana Muñoz Gomez, Florence Yee, and Hagere Selam (shimby) Zegeye-Gebrehiwot demonstrate the value in remembering, imagining, or anticipating home or place, and constructing alternative modes of becoming.
Presented with the support of the Government of Canada through the Young Canada Works program, Building Careers in Heritage.
See more information and read the curatorial essay.
The Aesthetic Practices of Queer Diaspora: A Lecture by Dr. Gayatri Gopinath
April 15, 2021
A Reading by Mariana Muñoz Gomez
May 6, 2021
Whess Harman is Carrier Wit’at, and currently lives and works on the territories of the Musqueam, Squamish and Tsleil-Waututh as an artist as well as a Curator for grunt gallery. Their multidisciplinary practice includes beading, illustration, text, and poetry. As a mixed-race, trans/non-binary artist they work to find their way through anxiety and queer melancholy with humour and a carefully mediated cynicism that the galleries go hog wild for.
Mariana Muñoz Gomez
Mariana Muñoz Gomez is a Latinx artist, writer, curator, and settler of colour based on Treaty 1 Territory in Winnipeg, Manitoba. Their work is concerned with language, place, identity, diaspora, and displacement within post- and settler colonial contexts. Her lens-based practice involves a variety of media including text works, screenprints, and photography. Mariana works collaboratively with a number of collectives including Carnation Zine and window winnipeg.
Florence Yee is a Cantonese-struggling visual artist based in Tkaronto/Toronto and Tiohtià:ke/Montreal whose practice focuses on the intimacy of doubt through text-based art, sculpture, and textile installation. They are currently the Co-Director of Tea Base, a grassroots collective in Tkaronto’s Chinatown. They obtained a BFA from Concordia University and an MFA from OCAD U.
Hagere Selam (shimby) Zegeye-Gebrehiwot
Hagere Selam (shimby) Zegeye-Gebrehiwot is an artist and administrator who currently works and resides between Treaty 1 and Treaty 4 territories. They have received funding from municipal, provincial and national arts councils as well as awards from local and transnational arts organizations. Their practice engages with themes of place and it’s abstraction from a diasporic, queer and feminist perspective. Currently, they are the Executive Director at the Saskatchewan Filmpool, Co-Director of WNDX Festival of Moving Image and guest editor of the forthcoming Art&Wonder publication.